Residencies
Residencies
What would it mean to conceptualize the "classroom as a work of art?" Exploring this potential, a series of residencies were created in various educational sites.
Residencies
Upside-down and Backwards
Hannah Jickling and Helen Reed collaborate with a grade 3 and grade 6 class, resulting in a series of inversions, reflections and refractions about nature and culture.
Residencies
Multiple Elementary/Ask Me Chocolates
An artwork by Helen Reed, Hannah Jickling, and a grade 6 class, 'Ask Me Chocolates' is a series of limited edition artist multiples, made with both milk and dark chocolate.
Residencies
Museum Without Entrance
This residency, by artist Rodrigo Hernandez-Gomez, brings together collectors, private collections and audiences in the City of Toronto to create the Museum Without Entrance.
Residencies
Walls to the Ball
As a research performance platform Hazel Meyer uses the trope of basketball to investigate gender, sports, althleticism and textiles. Working with two secondary classes the installation became a "weird growth"…
Residencies
Your Lupines or Your Life
The project takes its name from a 1974 Monty Python sketch about an inept highway robber who, with his catchphrase “your lupines or your life,” steals lupine flowers from the…
Residencies
Friday
'Friday' is a collaboration between Sarah Febbraro and a grade 10, 11, and 12 class that brings together a talk-show aesthetic with the well-know tradition of high school talent shows.
Residencies
Ponytail Express
Hazel Meyer worked with the Art Gallery of Ontario’s Youth Council to develop this iteration of Ponytail Express. Ponytail Express is an ongoing research-performance platform about athletics, aesthetics, gender, and co-opting mass…
Residencies
Extra Curricular Curriculum Vitae
'Extra Curricular Curriculum Vitae' was an installation and series of slideshows featuring discards and detritus from the Ontario Institute for Studies in Education (OISE) basement.
Residencies
# (Insert Awesome Title Here) And Other Fantastic Stories
Shannon Gerard's 8-week workshop that questioned the nature and scope of publication.
Residencies