YUKON SOVA 4D STUDIO

EXPERIMENTS IN NEW & TIME-BASED MEDIA This course introduces students to photography and sound art basics. The approach will be conceptual. In general ideas and references to other artists will be foregrounded. Concepts of the banal and the spectacle will be examined and particular attention will be given to notions of private and public space. […]

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LOVE PLAY POLITICS

A Social Practice Seminar Social practice is an art form that doesn’t just make things, it makes things happen. Could you imagine art as a riot, a coffee shop talk show, an immigrant resource center, a post disaster street play, a prisoners dream house, or an invisible country? These projects show a shift within contemporary art […]

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CLASS NOT A CLASS

This is not a class. It is an artwork. Even when it appears to have all the characteristics of a class (e.g. students, a teacher, a meeting time, a syllabus, assignments, a classroom space, grades, course credit, teaching and learning, etc.) it will never be a class. Much like René Magritte’s famous The Treachery of […]

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Pressing Issues

PRESSING ISSUES is a student-led course that is fully immersed in external projects and opportunities that are ongoing during the semester. The goal of Pressing Issues is to come together to conduct research, share knowledge, and work within the field of contemporary publication. There is one assignment: TO MAKE A PUBLIC. In September 2017, a group […]

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class publication

Cultural Production Workshop

Socially Engaged Art and Participatory Art practices seek to create social transformation and change using approaches borrowed from education, curating, hospitality, environmentalism, performance and institutional critique. Through an analysis of art criticism, curatorial practice (with a focus on work by Indigenous and Black curators and artists), history of museums, and art projects, students will work […]

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Signifying Practices: Intro to Art Making and Critical Thinking

The purpose of this class is to prepare you to be an interesting, knowledgeable and productive artist citizen (culture maker) in the 21 century. This course is designed as an introduction to theoretical perspectives from many fields and discourses, now often grouped under the heading Visual Culture studies. We will become a community of learners […]

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Art School

There is an extensive history of artists making artwork in the context of their university classroom, of incorporating methods of teaching as an artistic practice, and of collaborating with students to realize works of art. For example, Joseph Beuys who was influenced by educator Rudolf Steiner, was known to develop his course on the spot […]

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Outdoor School

OUTDOOR SCHOOL is a unique multi-disciplinary and experiential course where students will participate in activities that examine recent developments in contemporary art, including social practices, site-specific interventions, and the use of ephemeral live materials including plants. The course is taught by Diane Borsato at the University of Guelph, Canada.

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Vesna Krstich

Vesna Krstich is an art critic, curator, and art historian who teaches Visual Arts and Theory of Knowledge at Upper Canada College in Toronto. Her research explores the interrelationship between performance-based practices and experimental pedagogy from the 1960s onwards. She holds an MA in Art Education from Concordia University and an MA in the History […]

Artists and Researchers